Back when I was thinking about writing a novel, THE novel, the one that haunted me every morning for weeks when I woke up and then followed me to work, tickling details for scenes inside my brain ... back then I was trying to work through a problem. Many writers mention that working through a problem is part of their writing process, and it actually was happening to me every time I thought about writing this particular novel. My problem? How do you get a person to do something that he or she does not want to do? How do you really compel a person? Can you MAKE anyone do something that he or she doesn't want to do? And if you can MAKE them do something, how do you write about that accomplishment in a realistic way? The reason I was thinking about this problem was that in order for the protagonist of the novel to fall into the arms/trap of the hero/villain, she would have to do things that I was certain she would never ever want to do.
Now, on tv shows and in some movies, they show wives giving their husbands the "evil eye" or some such LOOK, and he magically bends to the wife's will, doing something he did not want to do. I've never had this experience, succeeding with the compel via a simple look; my evil-eye look is defective, or I wore it out by using it too often on my brother when we were growing up, without much success then either. And, I've heard people say that some children obey their parents, even doing things the children do not want to do, just out of respect for their parental units' wishes. I'm sure I did that a few times when I was a child, but I really don't see how parents nowadays can make that happen if a child were to really dig in his or her heels in any given situation (so many methods of "persuasion" are disallowed today: no screaming at them, no spanking or whacking with a wooden spoon, no sugary treats as rewards).
Child-rearing aside, how do you compel?
I made a list.
The basics are extortion, blackmail, and force; all illegal in modern society, all ubiquitous, all unethical. But they work.
Back to my novel, none of those options would work in my story if I was going to make the reader believe that the heroine was falling in love with the rapscallion at the same time that he was (somehow) getting her to do something she didn't want to do (steal a priceless Egyptian artifact from the small regional museum where she worked, if you must know).
The rest of the list reads like this (nouns and verbs mixed together here, GrammarBros): persuasion, logic, convince, persistent demands, plead, peer pressure, reward, bribe, lie about results/benefits of the desired action, call in a favour, beg for help, lie about the reality of the situation. I've been thinking about this a lot.
Most of those options fail in the ethical realm too, because they abrogate the person's right to freedom of choice. If a person does not want to do something, don't they have the freedom to NOT do it in our 21st-century Canadian society? Now, I'm talking more about my experience with life than my novel. [I mean, in my novel the villain/pretty-boy is actually quite unethical, so I can use all the methods from the second list throughout the course of the novel, to bend her to his will. But will she bend? And why?]
IRL, since thinking about this, I have been less and less likely to try to manipulate a person so that they will do something they do not want to do. Nothing is really that important to me that I will step all over a person's freedom of choice, the only freedom we really have anymore in this world.
Way too serious, this blog, but it's something I've been thinking about, a lot, so I let it pour out tonight; thanks for staying tuned. Any other options you can think of, to compel? Share them in the comments: t'anx.
2 comments:
This is a fantastic question. First of all, I know I've told you about Derek yelling at TV shows for "sacrificing characters to plot"—i.e. having characters do things those characters would obviously never do (or never want to do) simply because it serves a larger narrative purpose. This means that most writers of TV shows are not as smart as you are. But that is obvious. As for actual advice on realistic ways of "bending someone to your will"—that's one of the things I love about young adult fiction and adolescent protagonists, that when you focus on someone whose will or desire is in a state of transition, then it is inherently more malleable. So maybe the way to go is to make vulnerability to suggestion part of the character? (Have you ever read Jane Austen's Persuasion? An interesting 18th-c take on this issue.)
P.S. Derek also has some strong feelings about the "adultery blackmail" plot device. He just doesn't buy the universal aversion to confession in order to avoid extortion. You guys should totally talk.
re: Derek "... just doesn't buy the universal aversion to confession in order to avoid extortion" -- I concur; if that were true about humans, then we would have NO reality television shows! And look at the David Letterman scandal: that guy tried to extort him and Letterman went on national tv and confessed. I rather think that many humans abide by the "confession is good for the soul" ethos. I mean, the RC church is practically founded on that "confessional" aspect of human nature, isn't it?
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